Mrs Stroke Bloke and I finished binge-watching the two original seasons of Twin Peaks last night. Don’t worry, I’m not going to get into the minutiae – you know, spoilers. you’ve either seen it or you haven’t. And if you have, the odds are you probably got as far as we did back in the Nineties. i.e., not very far.
It feels like the subject matter on the blog has been kinda heavy these past weeks, so how about a bit of fun?
Maybe you’ve seen the recent news article to the effect that the average intro time for a pop hit has dropped from more than 20 seconds to five seconds since the mid-1980s. I mean, I don’t know why the BBC are banging on about it now, when Mashable reported on the underlying research in April.
After being parachuted out of New Labour’s Milbank Palace into a safe seat in Stoke, the biographer of Engels and picket line-crosser spent five years slashing Labour’s majority before letting it be known that he would be giving up the seat at a time when the Labour Party and Jeremy Corbyn were at their most embattled.
After trailing a post on graphic design and democratisation last week, I received an interesting email on the subject of graphic design, logos, and sloganeering.
…perhaps the way to think about the democratization of graphic design isn’t to think about whether the act of creating a design is accessible to more people; but rather to think whether it is easier to spread.
I haven’t been able to get to much on the Edinburgh International Book Festival this year, for reasons. After seeing Tariq Ali discuss Lenin, I managed to miss Stuart Cosgrove returning to the subject of Detroit ’67, and 404 Ink marking their epochal Nasty Women with Nadine Aisha Jassat, Joelle Owusu & Laura Waddell.