Our hero is a thirty-something former New York lawyer from Scotland who was diagnosed as a potential zombie by a mad scientist, then suffered a catastrophic hemorrhagic stroke while making love. He's doing as well as could reasonably be expected now. See the "About" page for more details...
View all posts by ricky →
In January, I took part in a Twitter thing where people nominated a different favourite album closing song for each day of the month.
Albums closers make for perfect playlists, because you’ve got a selection of tracks aiming to distill a closing statement for a full album. Play ’em on random, and the intensity should be unchanged and unabated.
1992. Halcyon days. At least, if you like war in Europe and riots in America. Yep. So much has changed now. Better days.
One of the closing themes of my book, Stroke,is the subjective nature of time. So, it’s interesting to hear two remixes of Orbital’s Halcyon, thirty years on.
Logic 1000 strips it back and makes an asthmatic middle-aged stroke survivor think he could still rave it up in a sweaty whitewashed cube of a room somewhere in Edinburgh – if such a place still exists, Grandad.
John Hopkins makes some concessions to the passing of time and makes an A.M-a.S.S. think he could really dig it after the Wee Man’s gone to sleep, on a good pair of noise-cancelling headphones.
None of it convinces me that 17-year-old Ricky was right in his conviction that time’s arrow was dragging us into a future that could only get better [sic].
On the other hand, Long-sufferingreaderoftheblogpaul introduced me today to a trilogy of science fiction books which opens with Earth awaiting an invasion from the closest star system. So, things aren’t necessarily all bad.
The conversation got to the author remarking that he hadn’t listened to much more-or-less-political music with the impact of Strummer’s work (with and without The Clash) since the late punk’s death.
Conversely, I don’t seem to be able to listen to anything that isn’t angry about something right now. Not least since, now he’s five, the Wee Man is all
Public Enemy, the Bee Gees or die, Sucker!
My son, every day (not really (but yeah, kinda))
Maybe by the end of the month, I can expand his palette to include Run The Jewels, Sleaford Mods and the great new(ish) Leith/Peebles band I checked out at the Banshee Labyrinth last month, Gutterblood.
After I published the latest apoplectic.me post in August, Paul commented that
the new music in 2020 hasn’t caught my ear yet. Nothing like last years Jaime by Brittany Howard, which I loved. I also fear we are about to get some not very good quarantine inspired music coming our way.